Create & Produce
IBC2022: views, reviews and more
Now that the dust has settled on the first IBC in three years, Content Everywhere exhibitors take a look back at an event marked by a real excitement to be back — although transport within and from Amsterdam could have been better!
Seamless hybrid cloud access on the horizon from Elements
Major updates to the Elements platform were on show at IBC, as the company advances the concept of a centralised media platform giving access to high-performance, on-premise storage together with cloud storage.
More time, more space
This is the first time in many years that Polar Graphics has had a physical stand at IBC. Usually, the distributor is just present on the stands of its partners.
Gravity attracts Production Centre to White City
Gravity Media will open its second London production centre - in the White City media campus - later this year, joining existing production centres in London (Chiswick), Manchester, Sydney, Melbourne and San Francisco.
Full range of virtual solutions from Zero Density
Zero Density is showing off a comprehensive range of virtual solutions at its IBC stand, with enhancements to its software and hardware running both greenscreen cyclorama and a LED virtual production stage.
Pushing the envelope of film editing
Since making the leap from TV to film for a co-editing role on Scott Pilgrim vs. the World, Paul Machliss, ACE has perhaps become best known for his long-time collaboration with the film’s director, Edgar Wright.
All-in-one camera for the Studio Pro
PTZOptics has introduced a new all-in-one camera: the Studio Pro, a DSLR-quality video camera designed for content creation, videoconferencing, or live streaming.
On air light blows up
Pipe Lighting is a range of inflatable lights that are “light, powerful and very easy to carry”, said Show Demonstrator Anna Otchyk.
MRMC acquires Slidekamera
Mark Roberts Motion Control (MRMC), a Nikon company, has bought Slidekamera, effectively doubling the number of motion-controlled and robotic products MRMC offers.
Broadcast and cinematic lenses in focus
Canon has launched two lenses, plus an expansion unit that enables its Cinema EOS cameras to fit better in a live broadcast environment.
Mimik offers light stuff for VR
In VR production the videowall is often used to partly light the scene, to reflect the background on the subject. However, videowalls are RGB, so the light is not full spectrum. To counteract this, Kino Flo has devised the Mimik VR, “a lighting panel fed by a video signal,” that ...
Teltec signs deal for 50 cinematic PTZ cameras
German systems integrator and reseller Teltec has signed a deal with Sony at IBC for 50 of its newly launched ILME-FR7 PTZ cameras.
Production centre shifts to the cloud
Ross Production Cloud is a full suite of production applications, in the cloud, from ingest, remote contribution and news automation, to audio and video mixing, real-time graphics, MAM and playout.
Prime Focus makes dynamic moves for production and post in Clear
Prime Focus Technologies has returned to IBC and, according to Ramki Sankaranarayanan, Founder and Global CEO, it has major announcements to share around its Enterprise Resource Planning (ERP) software Clear.
IP Showcase promises IP video session of note
All you really need to know about SMPTE ST2110 and IP video will be revealed today at 10:00 in the IP Showcase, in a session aimed at “anyone who has to talk intelligently about IP video and feels they don’t know enough”, according to Andrew Starks, Marketing Workgroup Chair at ...
Lawo welcomes NMOS Home
Home, Lawo’s management platform for IP-based media infrastructures, is in the process of becoming an IP management system for heterogenous networks, welcoming NMOS-compliant solutions with an initial focus on the NMOS IS-04 protocol for discovery and registration and IS-05 for stream patching. Following a successful JTNM Test, Home will be ...
Agama launches sustainability analytics initiative
Agama Technologies unveiled a sustainability analytics initiative that aims to support video providers to understand, analyse and reduce their environmental impact.
HTC Vive levels the playing field for virtual production
Aiming to make virtual production more accessible, HTC’s Vive Mars CamTrack is on show in Hall 8. It allows studios of all sizes to create professional-grade virtual production content more easily, flexibly and affordably than before.
EMG on the evolution of live
“We won’t invest in SDI anymore,” declared Eamonn Curtin, International Head of Sales, EMG. “Everything we build is IP with flexibility at the core.”
Making immersive tech a force for good
What’s Next in Emmersive Tech with Nonny de la Peña
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